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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

Another Ravi Varma: Mankada

Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up a...

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Love me if you can: Khwaja Ahmad Abbas

“Love me if you can”, says the last will and testament of Khwaja Ahmad Abbas, writes Read More

Sign of the times: So far from God!

Humra Quraishi discusses the definite background to the sorry state of affairs in Afghanistan.

BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Oh, the suspense!

Film historian Dhruv Somani, fondly remembers the whodunit, Gumnaam, produced by N.N. Sippy and directed by Raja Nawathe, whic...

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Drishadvati: The daughter of Yayati

Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest